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Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

// Monday, July 22, 2024

The Beast of Verakin Valley

The Beast of Verakin Valley - Copyright: (c) 2024 Christopher V. DeRobertis. All rights reserved. insilentpassage.com
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The Beast of Verakin Valley

Copyright: © 2024 Christopher V. DeRobertis. All rights reserved.

This visual-and-text composition or image is a work of fiction; of imagination. Names, places, institutions, events, incidents, characters, persons, personas, locations, contexts, scenes, scenarios, symbols, glyphs, iconography, scientific-like elements, medical-like terms, psychological-like conditions, abstractions, imaginary/fake words, backronyms, institutions, organizations, pareidolia, visual literacy, visual interpretation, imagery, and/or random abstractionism either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Tuesday, September 13, 2022

Timmy's World

Timmy's World - Copyright 2022 Christopher V. DeRobertis. All rights reserved. insilentpassage.com
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Timmy's World

Copyright 2022 Christopher V. DeRobertis. All rights reserved.

This visual-and-text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, personas, locations, contexts, scenes, scenarios, symbols, glyphs, iconography, scientific-like elements, medical-like terms, psychological-like conditions, abstractions, imaginary/fake words, backronyms, institutions, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Wednesday, October 22, 2014

The Bayou Bones

The Bayou Bones Copyright 2014 Christopher V. DeRobertis. All rights reserved. insilentpassage.com
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At a bayou somewhere and somewhen...

The bones, purposefully arranged, were a marker and a message:

Here be spirits, both terrible and benign.

Copyright 2014 Christopher V. DeRobertis. All rights reserved.

This visual composition and its associated About text are works of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Sunday, January 09, 2011

Tendrils 12

How many nails must be driven into the coffin before "the end" is declared?

 

Progress is relative.

    Relative to the producers and the consumers,
       the observers and the observed,
          the waiters and the movers.

 

"The devil you know," said the vagabond, "is as bad as the devil you don't. After all, one devil is as bad as the next."

Alternate Version
Said the clown to the audience: "The devil you know is as bad as the devil you don't. After all, one devil is as bad as the next."

With that the clown bared his long, pointy yellow teeth, then leapt from the stage into the bowels of the shrieking crowd.

 

Avengers have been wronged and so their passion stems from clarity of justice.

Defenders feel anointed and so their "enthusiasm" is fueled by divine right.

 

To knowingly and willingly hold a heart hostage is a touch of evil.

 

Better to prepare for Armageddon, than to laze about in a virtual utopia.

 

Attics and basements are the cemeteries of yesterday.

 

Just because an elephant can hold a paintbrush doesn't mean you should let it paint your house.

 

There's nothing singular about sin.

 

Glorious determination — the state of an individual that's strong in will and driven to succeed.

 

Reality is context sensitive.

 
About

Tendril 1 - It's not enough to recognize that something is over or finished or done; you have to act to put it rest and move on.

Tendril 2 - It's all about perspective. "Reality is context sensitive." (Tendril 11)

Tendril 3 - Has a relationship to the "devil" Tendril in Tendrils 11. The alternate version is definitely the creepy (horror?) angle.

Tendril 4 - Pondering the motivations of others.

Tendril 5 - Sad, but true.

Tendril 6 - Have to stop watching shows about Armageddon, the Apocalypse, and December 21, 2012.

Tendril 7 - One of my favorite Tendrils.

Tendril 8 - Started out as a tongue-in-cheek homage to fortune cookie words of wisdom, but turned into something serious.

Tendril 9 - What else need be said?

Tendril 10 - State of being; state of mind.

Tendril 11 - It's all about perspective. "Progress is relative." (Tendril 2)

© Copyright 2011 Christopher V. DeRobertis. All rights reserved.

// Tuesday, June 01, 2010

Simple Words

     "Once upon a time," that's how it all began. Those four simple words, first spoken to me as a child, made new worlds magically available—wholly real—and sparked a deep passion for stories.

    And what is a story, after all, but an escape hatch to a greener pasture, even when that pasture is visited at midnight (alone), beneath a Hunter's Moon, as the tendrils of a rolling blue fog coil their way into a starless sky, while a wolf bays from somewhere nearby, and a weathered scarecrow emerges from the fog, impassive and silent, and beckons you to come closer, with his unusually long straw hand.

    And you do...

© Copyright 2010 Christopher V. DeRobertis. All rights reserved.

This text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Friday, March 05, 2010

Staring at the Ceiling

Staring at the ceiling in the dark is a lot like staring at the sun at noon.

At least that's what I whisper to the monsters under my bed, right before I throw a light on them and laugh in their faces.

And it scares the dickens out of them.

I love messing with them like that.

Good times.

Good times.

 
About

This is a true story.

At least the part about the ceiling.

And the dark.

And the dickens.

© Copyright 2010 Christopher V. DeRobertis. All rights reserved.

This text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Saturday, February 13, 2010

As Expected

    "Every night, when the house is most quiet, green hands spider their way from my closet to my bed," said Milo.

    "And then what," asked Dr. Ni, a prominent psychiatrist specializing in adult sleep disorders.

    "We shake hands," replied Milo, a grin awakening his face.

    With a hint of disbelief in his voice, Dr. Ni says, "You shake hands?"

    "Yes," Milo said, firmly and without hesitation.

    "And then what happens?"

    "We talk about — you," said Milo.

    "Me?"

    "Yes, you, Dr. Ni."

    "Why me?"

    "Because the thing attached to the green hands is very interested in you, Dr. Ni. Very interested. I've told it all about you and how you've been helping me with my nightmares and delusions. It wants to thank you for all that you've done. In fact, it's in the waiting room right now. It wants to shake your hands."

© Copyright 2010,2012 Christopher V. DeRobertis. All rights reserved.

This text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Thursday, July 02, 2009

Said the Demon...

     Said the demon to the priest, "Every rule is artificial, except the rule of God. That is what we demons fear. That is what the vile angels know to be true. And that is the weakness we exploit in man: The precious belief that the rule of God is also artificial; that it is man-made and entirely subjective. … That is why you fall, holy man. Because deep down inside you don't believe in the rule of God."

© Copyright 2009 Christopher V. DeRobertis. All rights reserved.

This text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.

// Sunday, March 22, 2009

Spider Branches

     At first my little brother and I liked the idea of having "spider branches" outside our bedroom windows.

     "Just pretend the spider branches are part of a magic forest and both of you are the brave knights that protect all that live in the magic forest," said Mom. Dad nodded in agreement.

     Mom and Dad sold us on this idea the day we moved into our new house: a 20th century plantation-style abode, conveniently located in the middle of scenic nowhere.

     Now to two boys both under the age of ten (I was nine, my brother six), who just so happened to play Knights of the Magic Forest each and every day, Mom's idea wasn't just appealing—it was golden. We both cheered, "Hooray for the spider branches!"

     Things were OK that first summer in the new (old) house; or as OK as they could be for two rambunctious boys with active imaginations, and nothing but free time on their hands from sunup to sundown.

     Eventually summer ended, school started, and our spider branches kept being the magic forest outside our bedroom windows.

     Life was moving along normally and without fanfare – until Halloween night.

     My brother and I aren't certain what really happened that night, or why, but we'll never forget it.

     It had been raining all morning and all afternoon, and then right after dinner Trick-or-Treating was officially cancelled thanks to a severe thunderstorm warning bleep-bleep-bleeping its way out of the t.v.

     Sure, weather like this is perfect for grownups in B-grade horror movies, but it's lousy when you're a kid on Halloween night.

     So there we were, in bed at 9 PM on the most kid-cool holiday of the year, without a candy rush and no tales to recount of who actually scared who the most that night. At least Mom and Dad let us wear our costumes to beds (without the masks, of course).

     The rain was pelting our bedroom windows and the wind wasn't just whistling, it was yelling.

     There were thunderclaps so loud and so deep that we actually felt our beds rumble and shake on the floor. One thunderclap was so explosive that we nearly popped out of our beds.

     That's when it happened.

     The spider branches broke through our bedroom windows, grabbed us by our heads, yanked us out into the wet howling night, and tossed us about like a game of human hot potato.

     We screamed.

     They hissed.

     We kicked.

     They clawed.

     We cried.

     They laughed.

     We reached for each other.

     They pulled us apart.

     I thought we were goners…

     That's when Dad showed up with his giant chainsaw.

     I don't know how he knew we were in danger, or how he scaled the trees in the pouring rain with a giant revving many-toothed machine in one hand, but he did.

     And he sliced and cut those spider branches faster than the streaks of lightning that threw intermittent light on the grand battle that was raging. (How he managed not to halve either of us is a miracle.)

     Moments after his arrival we found ourselves on the ground, tears in our eyes, our costumes ripped to shreds, with cuts and scrapes all over our trembling bodies. But nothing loomed above us. We were safe.

     And there was our Dad, standing ten feet tall, idling chainsaw in his hands, giving us a reassuring everything's-alright-now smile. Strewn about him, in every direction, were bits and pieces of the spider branches. It looked like someone dumped a million toothpicks on our yard.

     The next morning Mom and Dad cleaned up the mess and that night we had a backyard bonfire. We made-up funny stories and toasted marshmallows. They were the greatest marshmallows my brother and I ever had.

     To this day I still don't know what really happened that horrible Halloween night, but I'll never forget the pain of the spider branches or the appearance of my Dad, the hero with a chainsaw.

     The End

© Copyright 2009 Christopher V. DeRobertis. All rights reserved.

This text composition is a work of fiction. Names, places, institutions, events, incidents, characters, persons, locations, and/or organizations either are products of the author's imagination or are used fictitiously. Full Creative Writing Disclaimer.